PilietybėJungtinės Valstijos, Čilė, Panama
KalbosIspanų kalba (Gimtoji kalba), Anglų - amerikiečių (laisvai), Anglų kalba (laisvai), Anglų - britų (Pagrindinės žinios), Italų kalba (Pagrindinės žinios), Vokiečių kalba (Pagrindinės žinios)
Gimė1982, Panama, Panama
Vaidybinio amžiaus intervalas37 - 47
Ūgis185 cm
Etniniai tipaiDaugiatautis, Lotynų Amerikos / Ispanakalbis
RezidencijaBerlin - Berlynas (Vokietija), Florida (Jungtinės Valstijos), Berlin - Berlynas (Vokietija)
Apgyvendinimo galimybėsSantiago (Čilė), Panama (Panama), Munich - Bavarija (Vokietija), Madrid - Madridas (Ispanija)
Leidimas dirbtiEuropean Union, United States
Alternatyvūs kontaktiniai duomenys:
Kalbos Ispanų kalba (Gimtoji kalba), Anglų - amerikiečių (laisvai), Anglų kalba (laisvai), Anglų - britų (Pagrindinės žinios), Italų kalba (Pagrindinės žinios), Vokiečių kalba (Pagrindinės žinios)
Dialektai Southern - American (Gimtasis dialektas/tartis), Standard American (laisvai)
Akcentai Ispanų kalba (Gimtasis akcentas), Karibai (Gimtasis akcentas), Lotynų Amerikos (Gimtasis akcentas), Pietų Amerika (Gimtasis akcentas), Anglų kalba (labai geras), Meksikietiškas (labai geras), Amerikos (geras), Argentinos (geras)
Šokis Bachata (labai geras), Butoh (Japonija) (labai geras), Choreografija (labai geras), Lotynų Amerikos šokiai (labai geras), Merengų šokis (labai geras), Salsa (labai geras), Šokio improvizacija (labai geras), Šokio teatras (labai geras), Šokių mokymas (labai geras), Afrikietiškas šokis dovanų (geras), Afro (geras), Baletas (geras), Cha Cha Cha (geras), Dancehall (geras), Diskoteka (geras), Forró (geras), Laisvasis stilius (geras), Rumba (geras), Tradicinis Afrikos šokis (geras), Capoeira (Pagrindinės žinios), Gatvės šokis (Pagrindinės žinios), Miesto šokis (Pagrindinės žinios), Samba (Pagrindinės žinios), Sūpynės šokis (Pagrindinės žinios)
Balso tembras / dubliavimo balsas Baritonas
Muzikos instrumentai Kahonas (labai geras), Afrikietiški būgnai (geras), Fleita (geras), Perkusija (geras), Bongos (Pagrindinės žinios), Gitara (Pagrindinės žinios), Perkusija (Pagrindinės žinios), Čarango (Pagrindinės žinios)
Sportas Aerobika (labai geras), Joga (labai geras), Karatė (labai geras), Plaukimas (labai geras), Pulo biliardas (labai geras), Taiči (labai geras), Taiči čuan (labai geras), Boksas (geras), Boulingas (geras), Bėgiojimas (geras), Dviračių sportas (geras), Fechtavimasis (geras), Kalnų dviratis (geras), Kovos menai (geras), Krepšinis (geras), Motociklas (geras), Pilatesas (geras), Raftingas (geras), Tinklinis (geras), Vandens slidinėjimas (geras), Baidarės (Pagrindinės žinios), DL - Gynybos laboratorija / DNR kovos mokslo sistema (Pagrindinės žinios), Sporto klubas (Pagrindinės žinios), Stalo tenisas (Pagrindinės žinios), Svoriai (Pagrindinės žinios), Tenisas (Pagrindinės žinios), Čiuožimas ant ledo (Pagrindinės žinios)
Vairuotojo pažymėjimai/ kiti leidimai automobilio teisės
Kiti įgūdžiai Šokių mokytojas
Vaidybinio amžiaus intervalas 37 - 47
Ūgis 185 cm
Fizinis sudėjimas Atletiškas-atletiškas
Svoris 80 kg
Akių spalva rudos spalvos
Plaukų spalva rudos spalvos
Šukuosena vidutinio ilgio garbanotas
Veido plaukai Barzda
Dvynys Ne
Etniniai tipai Daugiatautis, Lotynų Amerikos / Ispanakalbis
Tatuiruotės Taip, nematoma
Auskarai Nėra
Akiniai Ne
Randai Nėra
Andres Garcia
Režisierius (-ė)
Ansamblio narys
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
Monologas
Drama, Monologas
Malucha Pinto
Režisierius (-ė)
Pagrindinis vaidmuo
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
Malucha Pinto
Režisierius (-ė)
Antraplanis vaidmuo
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
Malucha Pinto
Režisierius (-ė)
Antraplanis vaidmuo
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
Aliocha de la Sotta
Režisierius (-ė)
Pagrindinis vaidmuo
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
Eduardo Herrera
Režisierius (-ė)
Juan José
Pagrindinis vaidmuo
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
Paulina García
Režisierius (-ė)
Lina
Nuolatinis pagrindinis vaidmuo
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
Cristina Alcaide
Režisierius (-ė)
Pagrindinis vaidmuo
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
Paulina García
Režisierius (-ė)
Ivanov
Pagrindinis vaidmuo
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
Raul Osorio
Režisierius (-ė)
Besitęsiantis vaidmuo
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
Gonzalo Diaz
Režisierius (-ė)
Armando
Antraplanis vaidmuo
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
Trumpametražis filmas
Antonia Renard
Režisierius (-ė)
Josué
Pagrindinis vaidmuo
Matthias Glasner
Režisierius (-ė)
Aguti
Antraplanis vaidmuo
Just released from prison, a former CIA Agent tries to find her daughter and lover and has to fight drug bosses, manipulative spies and inner demons.
Trumpametražis filmas
Antonia Renard
Režisierius (-ė)
Josué
Pagrindinis vaidmuo
Gonzalo Diaz
Režisierius (-ė)
Armando
Antraplanis vaidmuo
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
Monologas
Drama, Monologas
Malucha Pinto
Režisierius (-ė)
Pagrindinis vaidmuo
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
Malucha Pinto
Režisierius (-ė)
Antraplanis vaidmuo
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
Malucha Pinto
Režisierius (-ė)
Antraplanis vaidmuo
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
Aliocha de la Sotta
Režisierius (-ė)
Pagrindinis vaidmuo
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
Eduardo Herrera
Režisierius (-ė)
Juan José
Pagrindinis vaidmuo
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
Paulina García
Režisierius (-ė)
Lina
Nuolatinis pagrindinis vaidmuo
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
Cristina Alcaide
Režisierius (-ė)
Pagrindinis vaidmuo
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
Paulina García
Režisierius (-ė)
Ivanov
Pagrindinis vaidmuo
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
Raul Osorio
Režisierius (-ė)
Besitęsiantis vaidmuo
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
Andres Garcia
Režisierius (-ė)
Ansamblio narys
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
Antonia Renard
Režisierius (-ė)
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